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Fakes & Mistakes @ Nat Gallery
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Botticelli's Birth of Venus

The first major exhibition of its kind, Close Examination: Fakes, Mistakes and Discoveries celebrates the remarkable collaboration of scientists, conservators and art historians at the National Gallery. The exhibition show cases some of the gallery’s infamous collection of fake works and chronicles the work done by the scientific department at the National Gallery.

Where?

Sainsbury Wing
The National Gallery,
Trafalgar Square,
London
WC2N 5DN

Daily 10am–6pm, Fridays 10am–9pm

When?

30 June – 12 September 2010

How Much?

Free

Close Examination: Fakes, Mistakes and Discoveries

The National Gallery’s Scientific Department was founded in 1934 and has become a world leader in the study of the materials and techniques of Western European paintings. Today, the department works ever more closely with curators and conservators to investigate the physical characteristics of works in the collection and to protect paintings for the future.

Modern scientific methods, including infrared imaging, X-ray images, electron microscopy and mass spectrometry can provide fascinating insights into the materials used by artists, studio practice and the ways paintings can change over time.

Close Examination explores this pioneering work by presenting the varied and fascinating stories behind more than 40 paintings in the National Gallery’s collection. The exhibition is arranged over six rooms, representing some of the major challenges faced by Gallery experts: Deception and Deceit; Transformations and Modifications; Mistakes; Secrets and Conundrums; Redemption and Recovery; and a special focus room relating to Botticelli. The exhibition features works by Raphael, Dürer, Gossaert, Rembrandt and others.

For more information please go to:

http://www.nationalgallery.org.uk/whats-on/exhibitions/close-examination-fakes-mistakes-and-discoveries

Author: Ty_Lee

Ty is a lover of all things art - from the classical to the neo classical, his appetite for art is insatiable. Devouring all forms and patterns, he is constantly on the look out for art that elicits emotion reactions within his own continuum and those of others. Always friendly and happy to have a chin wag about the latest art his Buddhist views permeate the kaleidoscope of his vision.

1 Comment to “Fakes & Mistakes @ Nat Gallery”

  1. rajan says:

    i love picture

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